I write from noticing, from the moment before experience organises itself into meaning. From the place where something is felt before it is named. My work does not tell you what is true. It begins where something already known is recognised in language that stays close to lived experience. I am interested in how meaning forms, how breath, sensation, and attention become language only after they have already happened. I write to name what many people already carry but have never seen reflected back to them. My work moves between poetry and prose, not as a style, but because experience itself does not arrive in categories. I am not interested in conclusions, I'm interested in recognition.
